During the time of Venetian rule, Dobrota was an autonomous town, together with Kotor, Prčanj and Perast. The prominent families of Dobrota who marked the social and economic history of their homeland were Dabčevići, Dabinovići, Ivanovići, Kamenarovići, Radimiri, Tripkovići and others. Dobrota relied on maritime trade and at the beginning of the 19th century it was one of the leading maritime centres in Bay of Kotor 2007-2017 Dobrota town of sea captains cover photo: Dobrota, seen from a family pier During the time of Venetian rule, Dobrota was an autonomous town, together with Kotor, Prčanj and Perast. The prominent families of Dobrota who marked the social and economic history of their homeland were Dabčevići, Dabinovići, Ivanovići, Kamenarovići, Radimiri, Tripkovići and others. Dobrota relied on maritime trade and at the beginning of the 19th century it was one of the leading maritime centres in Boka and the east coast, counting 35 ships with a total weight of 5,172 tonnes and having 443 registered crew members. Dobrota families became very powerful and all aspects of social and cultural life moved from Kotor to Dobrota. However, Napoleon’s conquest caused crisis in maritime trade. The naval blockade occurred, the ships were wrecked by the French and the English army and the old trade links were interrupted. The Austrian authorities did not bring much improvement, and the first attempts of recovery occurred after 1850. Next

Regeneration of cultural landscape of Bay of Kotor. Heritage for benefits for society. Msc thesis by Bogdan Kusevic, in the field of sustainable architecture and landscape design at Politecnico di Milano Msc thesis THE FORGOTTEN CULTURAL LANDSCAPE OF BAY OF KOTOR. VALORISATION OF MEDIEVAL PATH AND RUINS IN PRCANJ. POLITECNICO DI MILANO July 2018 ABSTRACT (eng) Throughout its history, the Bay of Kotor in Montenegro has been a land of fruitful and active cultural exchange over the entire Mediterranean. Its extraordinary and harmonious symbiosis between the human influence in the natural scenery, along with its numerous and diverse sites and monuments of high cultural value, which have deeply affected other Mediterranean cultures, gained the Bay a place in the UNESCO list of World Heritage Sites as the Natural and Culturo-Historical region of Kotor In 1979 . Since the last decade, the entire Bay of Kotor has been going through a very difficult time regarding administration issues, in particular as far as urban planning is concerned. Today, the overexpanded building industry, triggered by huge investments, is threatening to devastate the fragile cultural landscape of the Bay of Kotor. Because of that, UNESCO has expressed a few concerns about uncontrolled urbanisation, demanding that the area be placed on a list of endangered cultural sites. In this respect, my initial wish was to deal with a topic related to the management and protection of the cultural landscape of my hometown, Prcanj. My thesis investigates and defines the cultural landscape of the Bay of Kotor, providing a sustainable management and integrative approach towards cultural landscape protection. Furthermore, I focus on the case study about upper Prcanj’s cultural landscape with its old medieval pathway. The proposals of activation of this abandoned pathway is a new way of exploring the landscape itself, as well as trying to regenerate the abandoned historical monuments it is dotted by. The aim of this thesis is to point out the uncontrolled urbanisation that is influencing negatively the valuable landscape of the UNESCO Region of Kotor, and to remark that new ways of sustainable development should be introduced to preserve the site’s cultural heritage and value for the benefit of its citizens. Master thesis presentation - original booklet BY CLICKING ON THE LINK ABOVE YOU AGREE TO THE GENERAL TERMS OF USE AND PRIVACY POLICY OF THE WEBSITE: ,, THE ARCHIVE OF LANDSCAPES'' Tesi magistrale THE FORGOTTEN CULTURAL LANDSCAPE OF BAY OF KOTOR. VALORISATION OF MEDIEVAL PATH AND RUINS IN PRCANJ. POLITECNICO DI MILANO Luglio 2018 ABSTRACT (it) L’area costiera del Montenegro nota come le Bocche di Cattaro è sempre stata terra di fruttuosi e attivi scambi culturali con tutto il Mediterraneo. Per l’armoniosa simbiosi tra l’impronta umana e lo scenario naturale, insieme ai numerosi e vari siti e monumenti dal grande valore culturale che hanno profondamente influenzato le altre culture del Mediterraneo, la Regione naturale e storico-culturale delle Bocche di Cattaro è stata inserita nella lista UNESCO dei luoghi Patrimonio dell’umanità nel 1979. Negli ultimi dieci anni, l’intera area delle Bocche di Cattaro ha attraversato un periodo di grande difficoltà sul piano amministrativo, in particolare per quanto riguarda la pianificazione urbana. Oggi l’eccessiva espansione dell’industria edilizia, innescata da enormi investimenti, minaccia di devastare il fragile paesaggio e il patrimonio culturale della baia. Per questo motivo, l’UNESCO ha espresso le proprie preoccupazioni in merito all’urbanizzazione incontrollata, decidendo l’iscrizione dell’area in un elenco di siti culturali a rischio. Il mio iniziale desiderio è stato, a tal riguardo, di affrontare un argomento legato alla gestione e alla tutela del paesaggio culturale della mia città natale, Prčanj (Perzagno). La tesi intende indagare e definire il paesaggio culturale della baia di Cattaro, suggerendo una gestione sostenibile e un approccio integrato volto alla tutela del paesaggio culturale. Si propone qui, inoltre, un caso studio riguardante il paesaggio culturale della parte alta della città di Prčanj con la sua antica strada medievale. I modelli proposti, diretti alla riapertura di questo antico percorso ormai abbandonato, illustrano un nuovo modo di esplorare il paesaggio stesso e di rivalutare i preziosi ruderi di cui esso è costellato. La tesi ha pertanto lo scopo di evidenziare l’urbanizzazione incontrollata che sta influenzando negativamente il magnifico paesaggio del territorio di Cattaro, patrimonio UNESCO, e di rimarcare la necessità di introdurre nuove vie di sviluppo sostenibile per preservare il valore storico-culturale della regione a beneficio dei suoi cittadini. La tesi magistrale - presentazione originle (ENG) BY CLICKING ON THE LINK ABOVE YOU AGREE TO THE GENERAL TERMS OF USE AND PRIVACY POLICY OF THE WEBSITE: ,, THE ARCHIVE OF LANDSCAPES''

"The Archive of Landscapes", Cultural Heritage project aims to raise public awareness about the degradation of cultural heritage and the cultural landscape in particular, in UNESCO Natural and Culturo-Historical Region of Kotor. Welcome to Bay of Kotor, panorama project 2007-2017 Bay of Kotor panorama project cover photo: Bay of Kotor in winter Bay of Kotor is nowadays a very attractive tourist and ship cruise destination. Over 500,000 visitors from cruise ships visit the town of Kotor every year, which negatively affects the life of domicile population in many ways, and cause the high pollution of air and turbulence in marine ecosystem.

Stoliv is situated on the north-eastern side of the Vrmac hill, opposite Perast. It consists of two parts: the upper village is situated in a chestnut forest at 240 m of altitude. This part of the village has preserved its original rural layout. Today this part of Stoliv has only 15 habitants because most of the people have moved during the 17th and 18th century to the lower town. In the centre of the village there is the Church of St. Ilija. 2007-2017 Stoliv (ita. Stolivo ) cover photo: Stoliv seascape Stoliv is situated on the north-eastern side of the Vrmac hill, opposite Perast. It consists of two parts: the upper village is situated in a chestnut forest at 240 m of altitude. This part of the village has preserved its original rural layout. Today this part of Stoliv has only 15 habitants because most of the people have moved during the 17th and 18th century to the lower town. In the centre of the village there is the Church of St. Ilija. The lower Stoliv was given the rank of maritime town in 1721. Due to the Mediterranean climate, this part of the Bay of Kotor is rich in fruits and flowers, especially the camellia flower for which Stoliv is famous. Next

The forgotten cultural landscape of Bay of Kotor. Valorisation of medieval path and ruins in Prcanj. Master thesis in the field of sustainable architecture and landscape design at university Politecnico di Milano. original research work MSc thesis THE FORGOTTEN CULTURAL LANDSCAPE OF BAY OF KOTOR. VALORISATION OF MEDIEVAL PATH AND RUINS IN PRCANJ. In the last decade, the region of the Bay of Kotor, which has been a UNESCO heritage site since 1979, has become the area of severe destruction of the cultural landscape due to the excessive building industry. My master thesis, which was defended at Politecnico di Milano in July 2018, investigates and defines the particularity of the cultural landscape of the Bay of Kotor and provides a model for its restoration by involving common citizens in decision making processes. The medieval pathway, which is the main topic of the master thesis, has already been restored, cleared and opened as a light hiking trail in Prcanj and included into the comprehensive map of cultural trails of Montenegro. The Valley of St. Anna as cultural landscape of immense importance is going to be protected under the new urban study of Kotor municipality. New solar boats have already been introduced as sustainable water transport in Bay of Kotor, while the cruise ships as the example of unsustainable water transport was posponed during 2020. and the first half od 2021. due to the Covid 19 crisis. The positive steps towards raising awareness for protection of the cultural landscape in the Bay of Kotor are being made. To read more, click on the link below. THIS MSC THESIS RESEARCH IN SUSTAINABLE ARCHITECTURE AND LANDSCAPE DESIGN COURSE AT POLITECNICO DI MILANO, TITLED: ,,The forgotten cultural landscape of Bay of Kotor. Valorisation of medieval path and ruins in Prcanj’’ IS INTELLECTUAL PROPERTY OF THE AUTHOR, BOGDAN KUSEVIC, GRADUATE ARCHITECT, AND COMPLIES WITH ANY LAWS ON INTELLECTUAL WORK THAT ARE FORESEEN AND RECOGNISED BY THE LAW IN FORCE. ARTICLES 1 - 5 OF ACT 633/1941 AND AMENDMENTS. BY CLICKING ON THE LINKS BELOW YOU AGREE TO THE ABOVE MENTIONED LAW ON INTELLECTUAL WORK AND AGREE TO THE GENERAL TERMS OF USE AND PRIVACY POLICY OF THE WEBSITE: ,, THE ARCHIVE OF LANDSCAPES'' Master thesis booklet (2018) by Kusevic, B. click above to open the booklet

The sloped terraces of agricultural estates, made of stone walls and planted with olive trees,and the oak forests sprinkled over a channelled stream of enclosed dry stonewalls, are features of the cultural landscape of this region. The techniques of channelling the stream flows and the way of maintaining the land by... St. Anna Valley - P rcanj, Montenegro St. Anna Valley represents the last portion of the cultural landscape of the inner Kotor bay in Montenegro, which preserved its original horizontal and vertical structure, sprawling in full area from the sea to the hill. The Church of St. Anna dates back to the 14th century and the ruins of an old parish house,bare the oldest remains of any residences in Prcanj. The sloped terraces of agricultural estates, made of dry-stone walls and planted with olive trees, and the oak forests sprinkled over a channelled stream of enclosed dry-stone walls, are features of the cultural landscape of this region. The techniques of channelling the stream flows and the way of maintaining the land by the traditional character testify the past eras and give evidence of the native landscape management. The UNESCO commission has stated that this area should be placed under careful spatial management, after undergoing a study of the impact towards cultural heritage in each intervention, in order to preserve its outstanding universal value (OUV). St. Anna Valley in Prcanj, with its agricultural terraces, and St. Anna church and the ruins of Sbutega palace, should be placed at top level of protection as cultural landscape of great value for the municipality of Kotor. Unfortunately, due to the compromised urban planning and the lacking of regulation for preserving the cultural landscape in Montenegro and because of the pressure of foreign investments, it is likely that this authentic area in Prcanj might be soon devastated by building there a real estate settlement . At this occasion, as architect and resident of Prcanj, I appeal to the State bodies in charge that this particular portion of the cultural landscape should be maintained and better understood, in order to preserve its inherited and unique features. HOW TO CITE THIS ARTICLE: Kusevic, B. (2017). Valley of St. Anna - Prcanj . ‘‘The Archive of Landscapes”. [date]. BIBLIOGRAPHY . BACKGROUND PHOTO. David Rumsey Historical Map Collection | The Collection; (1693) Disegno Topografico del Canale di Cattaro, Montenegro; Coronelli, Vincenzo (1650-1718).

Stone plastics, heraldic, authentic door and windows from the town of Prcanj photostory 2007-2017 History in stone cover photo: Unique example of descriptive geometry in real size scale on facade of Our Lady's Temple in Prcanj,Montenegro Stone plastics, family heraldry, doors and balustrades, these are all photographed in the town of Prcanj, Montenegro during the period 2008-2018. Next

The area of the medieval path represents one of the few coastal areas in the interior of the Bay of Kotor, where the cultural landscape has not been attacked yet by commercial construction and where there is continuity from the sea Glavati to the top of the mountain (Spille River Canyon). The pathway is a proof of Prcanj’s historical development, of the time when the settlement was located on the upper levels of the Vrmac hill, resting on agriculture 2007-2017 Medieval pathway of Prcanj cover photo: Steps of medieval pathway above Prcanj Landscape sound of summer morning in Forest Lekovina, Prcanj, Montenegro - recorded by Bogdan Kusevic. August 2009. 00:00 / 00:00 The area of the medieval path represents one of the few coastal areas in the interior of the Bay of Kotor, where the cultural landscape has not been attacked yet by commercial construction and where there is continuity from the sea Glavati to the top of the mountain (Spille River Canyon). The pathway is a proof of Prcanj’s historical development, of the time when the settlement was located on the upper levels of the Vrmac hill, resting on agriculture. A special way of treating the soil, preserving fertile humus layers, was achieved by the dry-stone wall techniques on terraced levels along Vrmac slopes. Moving from the sea to the hill, ancient varieties of Mediterranean fruit, such as citrus, grapes, olives, figs, are still present. These authentic sloped terraces of autochthonous agricultural varieties are still preserved below the area of the upper medieval path connecting the Church of St. Anna with the church of St. Peter on the way to the Old Parish church toward Spilla river. There are also centuries old oaks and pine forests in the zones between the agricultural estates, which are also planted as old villagers can tell. READ MORE on heritage article ''Medieval pathway of Prcanj" Next

Na stotinjak metara daleko od mora i pedesetak metara nadmorske visine u zatonu poznatom kao Pecarevo ili Glavati, u naselju Prcanj u Crnoj Gori, nalazi se gradjevina danas u rusevinama koja je bila rezidencija po svemu sudeci neke plemicke porodice. Malo se zna o ovoj palati, usljed nedostatka arhivske gradje a... Rusevine palate Sbutega - Glavati. Prcanj istorijska i arhitektonska analiza Na stotinjak metara od mora i na pedesetak metara nadmorske visine, u uvali poznatoj kao Pecarevo ili Glavati, u naselju Prčanj u Crnoj Gori, nalazi se građevina danas u ruševinama, koja je po svemu sudeći bila rezidencija neke plemićke porodice. Zbog nedostatka arhivske građe i neposjedovanja ikakvog uklesanog simbola, grba ili natpisa na fasadi, o ovoj palati se malo zna. Međutim, po tehnikama gradnje, dispoziciji i arhitektonskoj koncepciji kao i materijalima i tehnikama obrade, može se zaključiti da potiče iz XIV vijeka. Rezidencija se nalazi nedaleko od Crkve Sv. Ane u području Glavati – Prčanj, za koju se smatra da datira iz istog perioda. U XIV vijeku je ovim područjem vladala dinastija Nemanjića, potom Ugarska kraljevina a kasnije i bosanski kralj Tvrtko I. U tom se periodu naselja uz more, sem utvrđenih gradova poput Kotora, još nijesu bila razvila i egzistirala su na višim kotama u brdu kao seoske naseobine koje su se oslanjale na lokalnu poljoprivredu. Veoma česti upadi pirata, a potom i napadi Turaka ali i plemena iz unutrašnjosti, bila su dovoljno učestala da se karakter rezidencijalne arhitekture u zaleđu morao podrediti odbrani od upada pljackaša. Palata tj. današnje ruševine snimljene na terenu februara 2018. godine, sastoje se od 4 zida glavnog korpusa palate i jednog aneksa sa gornje zapadne strade, po svemu sudeći bivše štale. Prednje pročelje zida ka Kotoru na sredini je provaljeno do tla, a zadržalo je samo nišu sa donje desne strane, do nekadašnjih vrata. Sa suprotne strane, uočava se romano-gotski jednostavan luk bez profilacije od nejednako postavljenih kamenih pragova, te niša neposredno do vrata i dva prozorska okna od kojih je veće veoma oštećeno. Romano-gotski portal nad ulaznim vratima, iako oštećen pruža najvjerodostojniju potvrdu o karakteru palate i njenoj dataciji. Vrata su bila izrađena od punog drveta a zaklavana sa po 4 klina u kamenom parapetu, čija su udubljenja u kamenu i danas vidljiva. Povrh toga, postojala je i velika greda koja je služila za barakidiranje i koja se umetala po sredini vrata, naliježući tako u udubljenje u zidu kako bi dodatno osigurala portal od upada pljackaša. Male niše pored vrata bile su korišćenekako bi se na što jednostavniji način, a bez otvaranja glavnog ulaza, primile namirnice od prodavaca, kao sto je suvo meso i riba, a da se pritom domaćini ne izlažu riziku da budu opljačkani ili napadnuti. Druga mala niša spolja je najvjerovatnije u kasnijem periodu zazidana. Krov je bio jednovodni i nagnut prema moru, što je danas velika rijetkost na ovom području gdje su svi krovovi dvovodni. Sudeći po krovnom pokrivaču obližnje Crkve Sv. Ane, koji je bio od kamena, kao i na osnovu i drugih veoma starih rezidencijalnih objekata, može se zaključiti da je i krov palate u prvobitnoj fazi bio od kamenih ploča i to autohtonog kamena. Na osnovu analize sa lokacije od februara 2018, zapažene su dvije etape gradnje objekta palate Sbutega. Prva bi uključivala veliko i visoko prizemlje te nisko potkrovlje koje je sa donje morske strane imalo tri prozorska okna, po svoj prilici za osmatranje i odbranu od potencijalnih pljačkaša. U prizemlju, ka moru, 2 prozorska okna od kojih je jedno bilo veće, približnih dimenzija 100/80 cm, i drugo, dimenzijaod oko 40/40 cm. Na pročelju ka Kotoru, bila su prema dispoziciji ulazna vrata sa portalom, poput onih na suprotnoj strani palate. Oboje vrata bila su simetrično postavljena, moguće poštujući vjerovanje da, đavo ukoliko bi ušao u kuću, na istom pravolinijskom potezu bi i izašao te ukućani ne bi bili ugroženi, dok se mala odstupanja od pravog ugla prilikom zidanja zidova, mogu tumačiti predanjem - uvijek se izbjegavalo zidati u ‘skveru’ jer u ‘skveru’ čuči đavo. Tavanice tog perioda bile su drvene, oslonjene na kamene konzole zaobljene sa donje strane u obliku akantusovog cvijeta. Na potkrovlju je bilo po 2 prozora ka strani od Kotora i 2 ka Prčanju, od kojih je jedan većih dimenzija. Izlaz u dvorište je riješen ostavljanjem uskih vrata ka brdu koja su danas zazidana, služila su kao izlaz u pomoćni objekat, najvjerovatnije štalu. Druga faza gradnje, donijela je radikalne promjene u enterijeru. Naime, visoko prizemlje se podijelilo na dvije etaže kako bi se dobilo na proširenju smještajnog kapaciteta zbog uvećanja porodice a na uštrb zaziđivanja tri prozora i gornjih vrata ka brdu na kojima su postavljene kamene konzole za pridržavanje greda. Promjene su vidljive i na romano-gotskom portalu, jer je i on sve do luka morao biti zazidan kako bi se tavanice spuštile niže, što je i danas vidljivo. U drugoj fazi razvoja palate, tavanice su postale veoma niske, ostavljajući oko 200 cm slobodnog prostora do greda. Obrada kamenih prozora bez posebnih parapetnih otvora na svim oknima, te vrlo oskudnim i nadomještenim na otvorima većih dimenzija, sugeriše o etapnom, sukcesivnom razvoju palate i čestim prepravkama. Palata u svojoj bazi posjeduje dimenzije 9.5 sa 6 m, što je veoma veliko za prosječnu veličinu kuće ovog podneblja, te upućuje na veoma dobro imovno stanje vlasnika-graditelja. Na području se nalazi Crkva Sv. Ane, koja sudeći po analogijama, potiče iz istog perioda i stoga se može ustvrditi da je bila porodična kapela. Lokacija Glavati je od velike važnosti za ukupno područje Prčanja, kako zbog svoje istorijske tako i prirodne i ambijentalne vrijednosti. Dolina Svete Ane je predio sa svim odlikama kulturnog pejzaža. Suvomeđe koje se stepenasto pružaju pored imanja Sbutega, a na čijim se terasama i danas nalaze maslinjaci, zatim stara srednjevjekovna staza preko Prčanja koja je nekada povezivala Prčanj sa Kotorom, Stolivom i Lepetanima, pravi je izvor za proučavanje načina života u prošlosti. Prisustvo nekoliko slojeva arhitekture - romano-gotičke u brdu a renesansno-barokne pri obali, te austrougarskog putnog graditeljstva u priobalju, kao i autohtonog načina obrade pejzaža sa kanalisanim potocima i terasastim vrtovima, predstavlja izvanredan argument za valorizaciju ove uvale kao kulturnog pejzaža od velike važnosti za Uneskovo Prirodno i kulturno-istorijsko područje Kotora. Aktiviranje ove palate za kulturne potrebe, i po mišljenu stanovnika valorizovanje u svrhu ljetnjeg kampa studenata arhitekture koji će raditi na regeneraciji pejzaža i održavanju srednjevjekovnih staza i monumenata, a uz to dobiti sertifikat o autentičnoj gradnji Boke Kotorske pod mentorstvom restauratora, bilo bi od velikog značaja za čitavo područje Kotora. Najzad, pružilo bi i uvid u velike potencijale održivog razvoja, a sve na uzajamnu korist kako učesnika radionice tako i vlasnika imanja, kojima bi se, pored usluge besplatnog održavanja imanja isplaćivala i naknada za korisćenje od strane studenata – polaznika arhitektonske radionice. Tako bi čitavo ovo područje dobilo veću prepoznatljivost i važnost i postalo uzorni model za pristup regeneraciji kulturnog pejzaža ukupnog područja Kotora. Nažalost, gradnja na ovom području, koja je počela infrastrukturnim radovima, uništila je do sada već čitav dio vrtova sa terasama i ozidanim potokom, i prijeti da devalvira ukupno područje koje je jedna zatvorena i unikatna enklava kulturnog pejzaža koji se prostire u punoj širini od mora pa sve do brda. Dolina Svete Ane – Glavati je neizmjerno vrijedno područje koje svjedoči o istorijskom razvoju seoskih aglomeracija uz more Boke Kotorske. Zbog vrijednog autentičnog pejzaža, kao i istorijske, pejzažne i prirodne vrijednosti, neodložno se mora pristupiti uticaju na kulturnu Baštinu pri aktuelnim prostornim intervencijama, izradom HIA studije, kako bi joj se sačuvala izuzetna univerzalna vrijednost, koju kao cjelina posjeduje u sklopu Područja Kotora koje je pod Uneskovom zaštitom. KAKO DA CITIRATE OVAJ CLANAK Kusevic, B. (2018). Rusevine palate Sbutega - Glavati-Prcanj. istorijska i arhitektonska analiza . ‘‘The Archive of Landscapes” [datum]. POZADINSKA KARTA David Rumsey Historical Map Collection | The Collection; (1693) Disegno Topografico del Canale di Cattaro, Montenegro; Coronelli, Vincenzo (1650-1718).

The aim of the public survey project, Prcanj’s cultural heritage, targeting resident population of Prcanj, was to raise public awareness about the importance of cultural heritage in the everyday life of local population, as well as to point to some very crucial problems for the community PRCANJ’S CULTURAL HERITAGE social survey The aim of the public survey project, PRCANJ’S CULTURAL HERITAGE, held on my personal initiative from 27th November to 7th December 2017,over Google Forms platform, targeting resident population of Prcanj, was to raise public awareness about the importance of cultural heritage in the everyday life of local population, as well as to point to some very crucial problems for the community. The territory of Prcanj is part of UNESCO’s Natural and Culturo-historical Region of Kotor inscribed in the World heritage list since 1979. Nowadays, due to lack of regulations about the protection of the cultural landscape and the appalling development of the entire UNESCO’s area of Kotor, Prcanj is under a big threat of losing the integrity of its inherited cultural values. The public survey I held, as an architect and resident of Prcanj, addressed solely the local population: the respondents were 65, an amount which only covers 5.76% of Prcanj’s total population (1128 people, according to 2011 census). The people who responded to the anonymous questionnaire belong to diverse age groups; the majority ages between 25-34 years (26.2%) and are, in most cases, native residents with very different levels of formal education. Most of them (44.6%), however, have a university qualification. The focus of the survey was to recognize and express the residents’ opinion and vision about their everyday life in town, the site’s future development and its touristic destination. The residents’ thought was supposed to approve the general vision and suggestions of the UNESCO’s Commission and dedicated experts, who claim that the appalling development of the entire region is proving to have a devastating impact on the outstanding universal values of UNESCO Natural and Culturo-Historical Region of Kotor. Paper is original social survey report of Msc thesis in architecture at Politecnico di Milano at the course of Sustainable Architecture and landscape Design OPEN PAPER (original paper in English) OPEN PAPER (original paper in Montenegrin) BY CLICKING ON THE LINK ABOVE YOU AGREE TO THE GENERAL TERMS OF USE AND PRIVACY POLICY OF THE WEBSITE: ,, THE ARCHIVE OF LANDSCAPES''