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Bogdan Kusevic is an architect based in Kotor. In July 2018, he obtained the master’s degree in sustainable architecture and landscape design at Politecnico di Milano. Before that, he acquired a bachelor’s degree and a specialist’s degree in architecture at the University of Montenegro - the Faculty of Architecture, where he studied between 2010 and 2015. Bogdan Kusevic MSc architect conservator Student of the post -graduate school of Architecture and Landscape heritage, Politecnico di Milano Updated on: 18.06.2025. From the author... "Dealing with architecture for me is dealing with culture because architecture is supposed to reflect the cultural code of a particular society. My work is based on understanding of people’s needs by taking into consideration the needs of an individual first and then the collective needs. For me, architecture is so similar to poetry, a manifestation of the mind in its high awareness, often subconscious one but always existential one which clears its path towards others in spaces of collective memory. When I design, I always put permanence of architectural heritage to serve as a concept upon which contemporary design finds its own way. Thinking, writing, drawing and planning is my methodology of design whereby architecture should correspond with the existing built environment and as well as with nature and society so that it could take on an identity worthy of a man of the 21st century." Bogdan Kusevic, MSc Arch Work Experience May 2014 - Jul 2024 December 2018 - October 2023 Architect conservator - internship 200h - part-time May 2014 - Jul 2024 Studio Redaelli Speranza Architetti Associati Via Pietro Colletta 29, 20135 Milano, Italy Conducted investigation, survey, and preliminary analysis of buildings forming part of a castle in the Province of Piacenza (Municipality of Calendasco ), which are protected under Legislative Decree 42/2004. The investigations supported a subsequent project for the securing, restoration, and adaptive reuse of part of the castle within a broader initiative promoted by the Municipality, under the supervision of the Superintendency of Parma and Piacenza. Architect and conservator architect by contract December 1. 2018 - October 16. 2023 Enforma d.o.o. - www.enforma.me Jadranska magistrala bb. Kotor, Montenegro Developing concept designs and main conservation projects of fortification and residential architecture in Montenegro. Also conducting research studies of memorial architecture in Montenegro. Conducting historical, architectural and genealogical research. A member of the project team in the following architectural, conservation and research projects, among them notable ones as follows: Preliminary design for the reconstruction of the fortress Kosmač (Budva). GFA 3002.95 m2 The main architectural conservation project of the Florio - Lukovic Palace (Prčanj). GFA 527.54 m2 The main executive project of the building reconstruction in its existing dimensions – turning a cultural heritage of the Španjola Fortess into an international creative hub (Herceg Novi). GFA 5178,27 m2 (2022) International competition (the winning design) for the reconstruction of the cultural heritage of the Španjola Fortress (Herceg Novi). GFA 5178,27 m2 (2020) Preliminary design and main conservation project for the reconstruction, rehabilitation and restoration of the Visković Palace – the Visković Family Museum (Perast). GFA 912.17 m2 (2019) Preliminary design and main conservation project for the reconstruction of the existing facility - “Town`s rampart - remains of the town of Onogošt” (Nikšić). GFA 1934,10 m2 (2019). (the audit phase in progres ) Preliminary design and main conservation project for the reconstruction of the St. Cross Fortres s (Perast). GFA 828.57 m2 (2019) October 2018 - December 2018 Apprenticeship October 1. 2018 - December 1. 2018. Enforma d.o.o. - www.enforma.me Jadranska magistrala bb. Kotor, Montenegro Assistance on the preliminary design of St. Cross fortress in Perast. September 2018 - Apprenticeship - Sept. 2018. Studio Redaelli Speranza Architetti Associati Via Pietro Colletta 29, 20135 Milano, Italy Urban and interior rendering design for the regional competition of Emilia Romagna - Valorisation of Via Francigena. Won the competition. September 2016 - Internship - Sept. 2016. Expeditio - Center for Sustainable Spatial Development Skaljari bb, 85330 Kotor, Montenegro Assistance on the project: Study of protection of cultural heritage in natural reserve ”Tivatska Solila’” in Tivat, Montenegro July 2014 - August 2014 Student traineeship - July - Aug. 2014 Atelier Pulsarh d.o.o. Molerova 37, 11111 Belgrade, Serbia Assistance on the several individual housing projects Education: Octobar 2015 - 2018 Master (MSc) degree in Sustainable Architecture and Landscape Design (degree class n. LM - 4 Building engineering - architecture) Politecnico di Milano, Scuola di Architettura, Urbanistica e Ingegneria delle Costruzioni, Via Scalabrini 76, 29121 Piacenza, Italy Graduation thesis: Score: 104/110 - July 2018. “The forgotten cultural landscape of Bay of Kotor. Valorisation of medieval path and ruins in Prcanj” September 2006 - June 2010 High school degree - June 2010. High school - Classical Lyceum ,,Gimnazija Kotor’’ in Kotor, Montenegro. Final exam passed with score 4.75/5.00 September 2010 - July 2014 Bachelor (BSc) degree in Architecture - July 2014. University of Montenegro, Faculty of Architecture, Bulevar Dzordza Vasingtona, 81000 Podgorica, Montenegro September 2014 - Sept. 2015 Specialist (Spec.Sci.) degree in Architecture - Sept. 2015. University of Montenegro, Faculty of Architecture Bulevar Dzordza Vasingtona, 81000 Podgorica, Montenegro Graduation project score 10.0/10.0 with title: ,,Museum of Kotor’’ City museum with parking garage November 2023 - present Politecnico di Milano Scuola di specializzazione in Beni architettonici e del paesaggio Post - Graduate School in Architectural and Landscape Heritage degree class Spec. (Sc. Spec.) Via Bonardi 9, Edificio 14, "Nave", 20133 Milano Award of Scholarship: Scholarship on Territorial Fragilities for the top candidates enrolling in the SSBAP for the 2023/2024; 2024/2025 academic year. Publications: January 2021 - January 2021 - “Cemetery“ tourism study Authors: Marija Novakovic, Bogdan Kusevic, Slaven Radimiri Levi Partner institutions: Municipality of Kotor, Jewish Community of Montenegro Kotor. - Jan. 2021. The publication Cemetery – A Study of Tourism analyses the historical development of the Škaljari cemetery. A special section of the publication presents an architectural and stylistic study of the Jewish cemetery located within the same complex, with the aim of identifying a model for its future cultural valorisation. Link to this publication: https://www.significantcemeteries.org/2021/06/cemetery-tourism-study-at-city-cemetery.html "Jews in Kotor following the archive records from XV- XX Century" Authors: Marija Novakovic, Bogdan Kusevic Partner institutions: Municipality of Kotor, Jewish Community of Montenegro Kotor. - Jan. 2021. The publication "Jews in Kotor following the archive records from XV - XX Century" aims to rediscover the forgotten Jewish cultural heritage in the municipality of Kotor. The project includes historical and archival research, as well as genealogical investigations into the Jewish population present in the area between the 19th and 20th centuries. Link to this publication: https://www.kotor.me/me/jevreji-u-kotoru---jews-in-kotor/ Exhibitions: January 2021. - September 2022 Jewish tangible and intangible cultural heritage in Kotor Temporary exhibition: The authors of the exhibition: Studio Enforma doo - Marija Novakovic and Bogdan Kusevic Partner institutions: Municipality of Kotor, Jewish Community of Montenegro Exibition displayed on: • The second book festival – "FesK" Kotor - 09. 2022. • European Days of Jewish Culture in Pljevlja - 09. 2022. • Jewish Conference "Mahar" in Budva - 10. 2021. • Naval Museum of Montenegro - Kotor - 01.2021. Workshops: July 2016. December 2015. Invisible LANDSCAPES: An architectural game. Politecnico di Milano. International one week workshop. Piacenza, Italy 1st BISHOP CITIES. Politecnico di Milano. Strategic nodes with a relevant role in the sustainable growth and liveability of the metropolitan regions. Piacenza, Italy State exams: The examination of professional competence to perform the activities of drawing up of technical documentation and construction activities. 31.05.2023 State exams: The examination of professional competence to perform the activities of drawing up of technical documentation and construction activities. 31.05.2023 - Ministry of Spatial Planning, Urbanism and State Property The professional exam for the professional title of conservator. 27.10.2023. - Ministry of Culture and Media of Montenegro Licenses: Authorized engineer’s license to perform activities of drawing up of technical documentation and construction activities. 28.06.2023. Driving licence B2 Language skills: Mother tongue (s): Montenegrin, Serbian, Croatian Foreign languages: English B2, Italian B2 Curriculum Vitae Bogdan Kusevic

" The Archive of Landscapes ", a Cultural Heritage project by Bogdan Kusevic, aims to raise public awareness about the degradation of cultural heritage and the cultural landscape in particular, in UNESCO's Region of Kotor in Bay of Kotor in Montenegro, through photography, historical and architectural research Welcome to the cultural heritage project 2017 The Archive of Landscapes cover photo: UNESCO Natural and Culturo - Historical region of Kotor Prcanj, Bay of Kotor, Montenegro photo by Bogdan Kusevic Photography Articles Timeline Research About the cultural heritage project THE ARCHIVE OF LANDSCAPES The Bay of Kotor in Montenegro, which has been World Heritage Site since 1979, has been facing unprecedented degradation during the last decade due to unplanned and excessive development that has been carried out without implementation of any study for protection and management of cultural landscape . And now, when you look at the images of cobbled hills of Bay of Kotor, destroyed picturesque seashore villages, masterpieces of fortification and residential architecture in danger , you might wonder how come the most beautiful things that we, as citizens of Montenegro could be proud of, are about to vanish just because of us. The cultural heritage is, after all, a civilisation code of one area and thus the cultural language of architectural heritage. This is not a photography project because I am not a professional photographer, nor it is a project for architectural restoration because I am not a restorer yet, nor even a tourist guide because I do not work in tourism sector. This is The Archive of Landscapes that will never be the same again and as harmonious as it used to be. Over the past decade, the landscape of Bay of Kotor has degraded very much and has been turned into excavations site, into trenches and landslides between concrete structures. Bay of Kotor is a bay in Montenegro where various cultures overlap due to Roman, Byzantine, Venetian and Austro-Hungarian rule . Today, the devastation of the cultural landscape and the architectural heritage has worsen, which implies that the Natural and Culturo-Historical Region of Kotor will most likely lose the UNESCO status of the World Cultural Heritage Site acquired in 1979. On this occasion, I would like to ask all scientific organisations in Montenegro, state bodies, dedicated experts and foreign organisations to come to Bay of Kotor and to give the utmost scientific support in maintenance, protection and regeneration of cultural landscape of UNESCO Natural and Culturo-Historical region of Kotor, so that its outstanding universal value can be preserved and left for the future generations to come. Bogdan Kusevic, MSc Arch Piacenza, May 2017. About the website THE ARCHIVE OF LANDSCAPES The cultural heritage project 2017 titled "The Archive of Landscapes" aims at raising awareness about the degradation of cultural heritage and landscape in the UNESCO Natural and Culturo-Historical Region of Kotor, providing an insight into the appearance of the landscape during the last decade. The website "The Archive of Landscapes" was developed entirely during my master studies in architecture at Politecnico di Milano from 2017 to 2018. The main purpose of creating this website was to present the permanence of the landscape of my homeland to my mentors, to gain the feedback from the community about the most important areas considered for valorisation , and to inspire the members of the local community to think creatively about how the local cultural heritage can be preserved. During my studies, the responses of the community members were included as the basis for future research about the local heritage, and the results of that work were published online in the form of a research paper in both English and Montenegrin language. Furthermore, the responses obtained were helpful and were used for determining the zones for protection and valorisation of the most valuable part of the cultural landscape in the town of Prcanj . As my wish was to make general public aware of the importance of valorisation of the cultural landscape in the Bay of Kotor , the contents of the thesis were made public while it was being written. In that way, the project of raising awareness about the significance of the cultural landscape of the Bay of Kotor titled "The Archive of Landscapes" was born. Bogdan Kusevic, MSc Arch Piacenza, July 2018. A word from the author I am an architect based in Kotor . In July 2018, I obtained the master’s degree in sustainable architecture and landscape design at Politecnico di Milano. Before that, I acquired a bachelor’s degree and a specialist’s degree in architecture at the University of Montenegro - the Faculty of Architecture, where I studied between 2010 and 2015. Many years before I enrolled in architecture school, I started to observe, document and photograph the buildings in my homeland. My passion for cultural heritage and photography continued during architecture studies, when I found an immense inspiration for landscape photography in my hometown Prcanj . Furthermore, my grandfather was an artist-photographer whose photographs allowed me to examine the tremendous change in the landscape of the Bay of Kotor for almost an entire century. The cover photo above represents the street called Ulica Lukovica - Lukovic Street situated in the town of Prcanj in Montenegro. It is one of the most beautiful Baroque coastal streets in the Southern Adriatic. However, this street, together with other settlements which belong to Natural and Culturo-Historical Region of Kotor under the UNESCO protection are now facing the unprecedented degradation because of poorly planned and excessive development . I appreciate the cultural landscape of my homeland very much as well as the native traditional building techniques and, above all, the local architectural heritage , so my photographs almost always represent the landscape with its unique architectural particularity. Harmony of the sea , the mountains and the palaces lined up along the waterfront is probably one of the most picturesque scenery in the entire region, especially in the morning. Belonging to the native population of Bay of Kotor, I feel overwhelmed by this scenery because this is the place where I have been living since I was born. I think that photography could have a big role in raising awareness of the general public about the heritage, its role in the local community and its peculiarity on the global scale. Here, in the area of Bay of Kotor , sometimes referred to as “The most secure port of the world” , the echo of the past centuries has been overwhelmingly present. Today, landscape has changed in a negative way but there is still a hope for its preservation and regeneration . Bogdan Kusevic, MSc Arch Piacenza, July 2018.

Bay of Kotor in Montenegro, is a very attractive tourist destination. It is considered to be one of the most beautiful bays in the world. The most picturesque coastal in Bay of Kotor are Perast and Prcanj. The population of the entire bay is around 60,000. UNESCO's town of Kotor (it. Cattaro) Bay of Kotor, Montenegro KOTOR, MONTENEGRO - PHOTO ALBUM

This Page Can’t Be Located. "The Archive of Landscapes" The cultural heritage project - Bay of Kotor Check the URL, or go back to the homepage. Go to Homepage

Palace of Three Sisters is the best-preserved example of Gothic profane architecture outside the urban historical cities in the Montenegro. It is situated in the town of Prcanj in Montenegro, along a coast of Bay of Kotor About the palace of ,,Tre Sorelle'' Prcanj, Bay of Kotor, Montenegro The Palace of the Three Sisters is the best-preserved example of Gothic profane architecture outside the urban historical cities in Montenegro. It is situated in the town of Prcanj in Montenegro, on the waterfront of the Bay of Kotor. At the time when the palace was built, Prcanj was a very attractive place where wealthy noble families from Kotor resided. It is not clear when exactly it was built due to the lack of archival material, but it is sure that it existed here in 1500s when it was mentioned in the archive in Kotor as Villa Trium Sororum. Historians date the palace to the beginning of the 15th century. In 1688, the entire area was already known as Le Tre Sorelle at the map of Disegno Topografico del Canale di Cattaro, Montenegro; Coronelli, Vincenzo (1650-1718). Its architectonic concept is quite unique. However, the attractive architectural design of the palace has been questioned by the researchers arguing that its present shape could not be the original one. This conclusion is based on non-identical styles of building techniques and the fact that the middle section is slightly inclined, suggesting that the concept of the palace has drastically changed over time. The palace is divided into three sections like a castle with towers which have three roofs and three windows on every level. The Gothic vaults and Gothic windows with the emblem of the noble family “Buca” from Kotor, the existence of a family chapel of St. Jeronimo on its right side and the unique architectonic concept has placed this palace on the top level of national protection. In spite of this, nothing has been done so far for improvement of management and protection of this palace and today it is standing without windows and is left on the ravages of time. The palace is a private property, and a housing purpose is assigned to it in its management plan, which has been done completely unjustly, disregarding its historical value and the connection it has had in the collective memory of the indigenous population over the past 500 years. During the last decade, it has been subjected to non-professional restoration. In the course of this process, one of the sealed window was opened, which resulted in ruining the gothic plastics and spoiling the relation of the local people to the Story of Three Sisters and the windows that were sealed up when they passed away. HOW TO CITE THIS ARTICLE: Kusevic, B. (2017). About the palace of "Tre Sorelle" from Prcanj . ‘‘The Archive of Landscapes”. [date]. BACKGROUND PHOTO David Rumsey Historical Map Collection | The Collection; (1693) Disegno Topografico del Canale di Cattaro, Montenegro; Coronelli, Vincenzo (1650-1718). Story of "Three Sisters"

During the time of Venetian rule, Dobrota was an autonomous town, together with Kotor, Prčanj and Perast. The prominent families of Dobrota who marked the social and economic history of their homeland were Dabčevići, Dabinovići, Ivanovići, Kamenarovići, Radimiri, Tripkovići and others. Dobrota relied on maritime trade and at the beginning of the 19th century it was one of the leading maritime centres in Bay of Kotor 2007-2017 Dobrota town of sea captains cover photo: Dobrota, seen from a family pier During the time of Venetian rule, Dobrota was an autonomous town, together with Kotor, Prčanj and Perast. The prominent families of Dobrota who marked the social and economic history of their homeland were Dabčevići, Dabinovići, Ivanovići, Kamenarovići, Radimiri, Tripkovići and others. Dobrota relied on maritime trade and at the beginning of the 19th century it was one of the leading maritime centres in Boka and the east coast, counting 35 ships with a total weight of 5,172 tonnes and having 443 registered crew members. Dobrota families became very powerful and all aspects of social and cultural life moved from Kotor to Dobrota. However, Napoleon’s conquest caused crisis in maritime trade. The naval blockade occurred, the ships were wrecked by the French and the English army and the old trade links were interrupted. The Austrian authorities did not bring much improvement, and the first attempts of recovery occurred after 1850. Next

In the last decade region of Bay of Kotor, which is UNESCO heritage site from 1979. is the area of severe destruction of the cultural landscape due to the excessive building industry, triggered by huge investments... The cultural landscape in danger of UNESCO Natural and Culturo-historical region of Kotor Over the last decade, the region of the Bay of Kotor, which has been the UNESCO heritage site since 1979, is the area where severe destruction of the cultural landscape has occurred due to the excessive building industry, triggered by huge investments. Such appalling development of the entire Bay is threatening to devastate the fragile cultural landscape of the Bay of Kotor. Because of excessive destruction of the outstanding universal value of the cultural landscape, traditional urban settlements are endangered by the over-scaled architecture for commercial purposes. As a result of this, the UNESCO Natural and Culturo-Historical Region of Kotor will probably soon be erased from the World Heritage list. It should also be pointed out that Boka Kotorska is a place where cultures overlap due to Roman, Byzantine, Venetian and Austro-Hungarian rule. Thus, the complexity of the landscape and its connection to the past eras is a strong argument for its valorisation by integrative approach which would first consider the social value of the cultural landscape. Such an approach to the overall socio-historical development of the region also has to contain the environmental component in many areas of management of landscape and urban planning. Nowadays native people have lost connection with the local environment in Bay of Kotor; this has happened by changing the way people use landscape and by vanishing the active cultivation of the same. Moreover, the way the landscape is used has drastically changed after the last earthquake in 1979; furthermore, over the last decade it has been highly influenced by the heavy foreign investment in real estate industry.For all these reasons, the cultural landscape of the Bay of Kotor region, and Prcanj in particular, is under the big threat of losing all its inherited features represented by the materiality and the structure of the landscape itself, as well as vanishing the collective memory of its traditional character and specificity. Today, many areas have been devastated by building residential buildings without any legal certificate, thus imposing high seismic hazard; also, by interrupting the organical linkage with surrounding landscape; even, by making life more complicated and dangerous (neglecting the necessity of adequate access for personal cars, or not providing a livable neighbourhood). All these problems make a real urban chaos in some upper areas of Prcanj like Tre Sorelle and Sarena Gomila. After the 1979 earthquake, an intensive urbanisation started without any implemented strategical urban planning. Today, some areas in Prcanj which are important for their cultural landscape, like St. Anna Valley, are threatened by uncontrolled urbanisation, like the building of a big real estate settlement, and by imposing the complete destruction of the authentic cultural landscape. Now the urge for urban legislation of the entire UNESCO area of Kotor, as well as in Prcanj, is the top priority for Montenegro, and among the aims of this report is to point to urgent actions in urban legislation and integrated approach toward cultural landscape protection, as well as to raise public awareness about its tangible and intangible features. Due to excessive construction, the authenticity of the Region of Kotor is fading away and is rudely devastated in the name of sustainable development. However, in this case the concept of sustainability has been compromised from the very start. Such a problematic approach of urban planning is evident on the entire coast of Montenegro but it is most obvious in the region of Kotor, which is under the protection of the UNESCO. I would like to point out that the town of Kotor with its surroundings is in a chaotic situation now. Abandoned spots in the town of huge potentials such as the old abandoned site of the factory, ruins of Fjord Hotel, the modernist building of Jugooceanija, a former shipping company, and a lot of other areas of the huge potentials such as Skurda peninsula, and sports hall in Skaljari, and the building of former Autoremont are wrecked. At present, the town attempts to improve its economy by hosting big cruise ships. In that respect it has been very successful insomuch that Kotor has been proclaimed as the one of the top 5 cruising ship destination in the Mediterranean. Far more interesting topic is opening for mass tourism. Namely, every day thousands of tourist come to the Kotor, which has only 2,000 inhabitants. Does the town need so many tourists come for one day sightseeing tour, or better to say half day sightseeing tour? Does it mean that the citizens would not be able to come to the town centre during working hours or to reach the health institutions in proper time because of crowded streets? Kotor is the town that has only one road which runs along the waterfront. Due to numerous vehicles which travel along this road, traffic congestions frequently occur, especially in summer. Furthermore, the local seashore roads are without the proper signalization, with holes, pits and bumps, which makes the transportation, from Tivat to Kotor in particular, very annoying and frustrating but also very dangerous. All these issues and historical permanence in a collision with the current mass cruise tourism cause many problems. An average tourist who would like to spend a couple of days in Kotor cannot properly enjoy his or her vacation. It means that smart mobility needs to be introduced in the immediate vicinity to provide a liveable environment for the younger generation to come but also for its well-recognized tourist activity in the town of Kotor. Furthermore, cruise ships cause problems which must be solved urgently because of their adverse effect on the environment. They produce air pollution and damage the marine ecosystem in many ways which have a negative impact on the fishing industry, and thus cause the socio-economic turbulence that leads to complete relocation of domicile population. In addition to this, there are many problems arising from the improper regional planning, whereby high buildings have been constructed in the pristine cultural landscape proclaimed as the World Cultural Heritage. The following key points highlight the issues arising from the ongoing building activities that have negative impact on the protected area of the Bay of Kotor and pose a threat to its Outstanding Universal Value. Emerging of poorly planned settlements in UNESCO Natural and Culturo-Historical Region of Kotor, which poses a threat to the outstanding universal value of property Building of improperly planned settlements without any urban strategy or management plan, which makes an unprecedented negative visual impact on the seashore line and vistas on the historical monuments and urban ensembles of outstanding universal value; Settlements planned and made in locations not suitable for their character because of the unique and practically harsh natural environment in the region of seashore forests and cliffs, which ruins the integrity of the landscape itself; Settlements built without any prior strategy, thus living in them may be dangerous and complicated because of pollution of water, environmental degradation, ecosystem collapse, a danger of forest fires, high seismic risk etc.; Accepting the urban plan that proposes big and radical intervention in the landscape, that might probably invade the integrity of the cultural landscape and destroy its outstanding universal value by building a traffic motorway, a bridge or other large infrastructural elements for which consulting with UNESCO experts and making Heritage Assessment plan is necessary. Building contemporary structures in a landscape that is not suitable for them because of its characteristics, design or terrain feature, which has a negative and unprecedented impact on the entire cultural landscape and natural scenery; The non-professional or cheap commercial buildings made without any legal certificate that threatens to destroy the unique traditional way of life of local people; Concreting the seashore at the places of former family piers or building new ones without using the traditional monolith stone techniques, destroying the fertile sea ecosystem and artistic traditional appearance of the sea line; Destruction of traditional olive and oak forests, traditional steep agricultural terraces and traditional historical-artistic gardens of outstanding value behind the palaces and family homes; Non-professional restoration of protected historical family buildings without any regard for their integrity, which threatens to degrade the universal value of the buildings (opening the roof terraces, division of historical balustrades, altering the height of historical buildings, houses or palaces, making the roof covering with non-traditional techniques, changing the traditional bearing construction (especially the concrete ones), changing the original look of the facades, replacing the traditional wooden openings for doors and windows) with the ones made of PVC, AL,...etc.; Degradation of the value of historical palaces and their ancient artistic furniture, interior decorations, aristocratic family libraries and artistic paintings, because of: leaving the property without owners, multiple selling of the property to foreign investors that neglect its historical value and the lack of the regulations and statistics data of movable cultural treasures and regulations for itself. HOW TO CITE THIS ARTICLE: Kusevic, B. (2017).The cultural landscape in danger of Bay of Kotor ‘‘The Archive of Landscapes” . [date] BACKGROUND PHOTO. Dobrota, Montenegro. Photo by Bogdan Kusevic Degradation of integrity of the cultural landscape in the town of Prcanj, Dobrota, Kostanjica Photographs by Bogdan Kusevic Degradation of monuments of UNESCO Natural and Culturo-Historical region of Kotor Photographs by Bogdan Kusevic

Most notable peace of sacral architecture in Prcanj is Church of the Blessed Virgin Mary. It was built in the Venetian late baroque style. The church is situated the the area of UNESCO Natural and culturo-historical region of Kotor. Our Lady Church in Prcanj was projected by the famous Venetian architect Bernardino Macaruzzi in 1789. 2007-2017 Our Lady's Temple cover photo: The dome of Our Lady's Temple in Prcanj Concert dedicated to Darinka Matić Marović in Our Lady's Temple in Prcanj . Academic Choir Collegium Musicum from Belgrade. August 16, 2022. - recorded by Bogdan Kusevic 00:00 / 00:00 Most notable peace of sacral architecture in Prcanj is Church of the Blessed Virgin Mary. It was built in the Venetian late baroque style. The church is situated the the area of UNESCO Natural and culturo-historical region of Kotor. Our Lady Church in Prcanj was projected by the famous Venetian architect Bernardino Maccaruzzi in 1789. The construction of the church started the same year but finished in 1913. The construction of the church was founded by the donation of twelve influential families from Prcanj, as well as donations of Austro-Hungarian government. The church at the time of construction was the biggest one in the South Adriatic region.Thes dome of the church is slightly lower that the dome of Dubrovnik Cathedral. The monumental staircase rising 25m above the sea is the highest artistic staircase of the East Adriatic. The church hosts numerous peace of art: icons, painting, reliefs of Venetian and EX Yugoslavian articts such as Milunovic, Rosandic, Lubarda, Mestrovic etc. Next

The church of St. Anna is believed to be existing here since the 14th century, and the ruins of the parish house in the immediate vicinity are the most ancient remains of residential buildings in the town of Prcanj. The church of St. Anna is situated 100 m from the sea on the hill of Vrmac Church of St. Anna - Prcanj, Montenegro Medieval churches like that of St. Anna in Prcanj, dating back to the 14th century, feature small-sized, not sophisticated, elegant proportions, as well as picturesque forms with a very interesting way of integrating into the landscape. In the Middle Ages, the Gothic style was not developed enough here, even though it was too much postponed compared to other urban centres on the Adriatic. However, the local sacral architecture, based upon centuries of development, has incorporated something of the medieval styles expressed mostly into the design of windows and doors. The techniques used at that time of building were very much defined, considering that they were developed by local craftsman rather than by professional architects or builders. The catholic private family chapels like this one were numerous in the town of Prcanj. In ancient times the town recorded eighteen churches and family chapels, of which today just eight are still standing. The church of St. Anna is believed to be existing here since the 14th century, and the ruins of the parish house in the immediate vicinity are the most ancient remains of residential buildings in the town of Prcanj. The church of St. Anna is situated 100 m from the sea on the hill of Vrmac. It is single span with gable roof; it has a semicircular apse and a fragmented vault in the middle, as well as a bell tower. The church belonged to the Sbutega family and stands in the area that was called, in ancient times, Calme that means “calm, quiet”. In front of the church an ancient graveyard used to lay, whose remains are not evident any longer. Today, the interior of the church has not any frescos or painting and is plastered with blue colour which is much eroded by the passing time. The traditional techniques of Romanesque altar vault, domed with a monolith of perfectly carved white rock, and the stone-paved floor characterized the architecture of the interior of the church. There are also two small niches in the wall at both ends of the altar, and a holy water pot, integrated into the entrance wall, which is a very interesting shape. There is no evidence of when the church was built, but the style of the building techniques, the apse stone roof and the unique disposition suggest that it has been there since the 14th century. The area where the Sbutega palace and the church of St. Anna are built is of immense importance for the entire region, because it still resembles the traditional way of cultivating the territory, and gives evidence of the features and style of the local 14th-century architecture. Sloped terraces of stone walls with olive groves and forests of oaks are typical of the cultural landscape of this area, which is closely related to this church and which is called, in the local language, Draga Sv. Ane, the Valley of St. Anna. Today, it would be necessary to identify this sacred building as a target of careful restoration, since it could become a significant and lovely spot along the medieval path of Prcanj, an area of special landscape value among ancient olive groves and oak forests. The tiny church would possibly be used for cultural events, camera concerts, exhibitions, public talks and meeting about the preservation of cultural landscapes, as well as a tourist attraction. Moreover, it is located near the ancient Sbutega palace, dating to the same historic period; the palace itself might be the suitable venue of an Architecture summer school camp, for a restoration of the cultural landscape and rustic architecture of Prcanj; this also would be a perfect location for a conscious and interested public to meet and exchange ideas. HOW TO CITE THIS ARTICLE: Kusevic, B. (2017). Church of St. Anna - Prcanj . ‘‘The Archive of Landscapes”.[date]. BIBLIOGRAPHY . BACKGROUND PHOTO. David Rumsey Historical Map Collection | The Collection; (1693) Disegno Topografico del Canale di Cattaro, Montenegro; Coronelli, Vincenzo (1650-1718).

The old footpath Muo - Prcanj - Gornji Stoliv, which is believed to have been active during the Middle Ages, used to connect the old settlements in the hills with the settlements along the coast as there were no coastal roads yet.  Its numerous access paths, going upward from the sea, in a form of staircases and sloping cobbled ramps, most often lead to the parish churches in the hill The old footpath Muo - Prcanj - Gornji Stoliv The footpath to the church of Saints Cosmas and Damian above the village of Muo The footpath to the church of Saints Cosmas and Damian above the village of Muo Ruins of old houses along the path towards the Church of Saints Cosmas and Damian The church of Saints Cosmas and Damian The view from the path Muo - the Church of Saints Cosmas and Damian Ruins of old houses along the path above the village of Muo Ruins of old houses along the path above the village of Muo The path above the former military complex in Prcanj The path above the village of Muo The access path Velja Rijeka - Glavati - Prcanj The path past the Church of St. Anna to Glavati The ruins of the Sbutega Palace – the Glavati cove near the church of St. Anna The view from the path near the cove of St. Anna The path past the church of St. Peter above Prcanj The path towards the ruins of the old parish church above Prcanj The path past the ruins of the old parish church above Prcanj The ruins of the old parish church above Prcanj The old parish church in Prcanj The path towards the locality Grasovo – Prcanj The path towards the locality Grasovo – Prcanj The view from the path Grasovo - Markov Rt The path towards Gornji Stoliv The path towards Gornji Stoliv The Church of St. Elijah in Gornji Stoliv The view from the path Gornji Stoliv - Markov Rt The old footpath Muo - Prcanj - Gornji Stoliv, which is believed to have been active during the Middle Ages, used to connect the old settlements in the hills with the settlements along the coast as there were no coastal roads yet. Its numerous access paths, going upward from the sea, in a form of staircases and sloping cobbled ramps, most often lead to the parish churches in the hill. The most important branches are the path from the village of Muo to the Church of Saints Cosmas and Damian, the path from the village of Prcanj in the locality of Grasovo to the ruins of the old parish church in the hill and the path from Donji Stoliv to the Church of St. Elijah in Gornji Stoliv. These footpaths branches had the important religious role in the life of the people in this region, so that we can even talk about their pilgrimage character. A typical example is a path to the old parish church on the hill above Prcanj, where a miracle-working icon of the Mother of God was located, before it was moved to the Church of the Virgin by the sea, and where it was visited on feast days by up to 6,000 believers. A footpath in the hill, Muo - Prcanj - Gornji Stoliv, starts in the coastal part of the village of Muo. Near the Church of Saints Cosmas and Damian, this path branches towards Prcanj, and then extends above the former military complex, but it is mostly impassable. The path continues above the settlement of Glavati, passes by the old houses, and over Velja Rijeka and descends into the cove of St. Anna. Then, it runs by the old inhabited houses in the hill and continues past the ruins of the old Prcanj parish church and continues all the way to Gornji Stoliv. Unfortunately, the section from Muo to Glavati is completely impassable and unmarked, and it has not been maintained for years. This segment of the footpath should certainly be included in the Boka Kotorska hiking tour plan. This year, (May 2021) due to overgrown vegetation, a part of the footpath in Prcanj is not accessible, in the area of Velja Rijeka - St. Anna - Mondov Potok, as well as part of the path in the locality Grasovo - Markov Rt - Gornji Stoliv. The footpath Muo - Prcanj - Gornji Stoliv is significant in several ways for the study of the history of these settlements and it belongs to the most interesting ones because it offers several kilometers of continuous panoramic views of the Bay of Kotor. It passes further by the oldest remains and ruins of houses in the hill, built of the stone walls between one and two meters thick. These houses are the most visible in the upper part of the village of Muo oriented toward Prcanj. There are ruins of the old medieval houses along the path in the cove of St. Anna, then along the path after passing the Church of St. Peter in Prcanj, as well as along the path from the village of Muo to the Church of Saints Cosmas and Damian. Likewise, there are numerous family chapels and churches on the route Muo - Prcanj - Gornji Stoliv, many of which are in ruins. The landscape value of the footpath is reflected in the authentic construction techniques, in the combination of steps carved into the rock and stone steps, in addition to the cobbled stone ramps, and high dry-stone walls that follow and change the level of the path along the terraced agricultural land. Such wall systems are most present on the section of the footpath from Muo to the Church of Saints Cosmas and Damian, then from Grasovo to the old Prcanj church in the hill as well as the site of Mondov Potok - Prčanj. The special character and the beauty of the footpath Muo - Prcanj - Gornji Stoliv lies in small altitude changes, as it runs through various types of landscape from rock and sedge, olive groves, pine, oak and chestnut forests to pastures with authentic agricultural varieties and old stone houses in the hills. The value of the footpath is also reflected in the numerous ruins of both residential and sacred architecture, which are a real asset for their future valorization and an opportunity to revive the "low - carbon" tourism and portray the authentic way of life of the people from this region from the ancient times to the present day. HOW TO CITE THIS ARTICLE: Kusevic, B. (2021 ). The old footpath M uo - Prcanj - Stoliv ‘‘The Archive of Landscapes”. [date]. BIBLIOGRAPHY . BACKGROUND PHOTO. David Rumsey Historical Map Collection | The Collection; (1693) Disegno Topografico del Canale di Cattaro, Montenegro; Coronelli, Vincenzo (1650-1718).