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The forgotten cultural landscape of Bay of Kotor. Valorisation of medieval path and ruins in Prcanj. Master thesis in the field of sustainable architecture and landscape design at university Politecnico di Milano. original research work MSc thesis THE FORGOTTEN CULTURAL LANDSCAPE OF BAY OF KOTOR. VALORISATION OF MEDIEVAL PATH AND RUINS IN PRCANJ. In the last decade, the region of the Bay of Kotor, which has been a UNESCO heritage site since 1979, has become the area of severe destruction of the cultural landscape due to the excessive building industry. My master thesis, which was defended at Politecnico di Milano in July 2018, investigates and defines the particularity of the cultural landscape of the Bay of Kotor and provides a model for its restoration by involving common citizens in decision making processes. The medieval pathway, which is the main topic of the master thesis, has already been restored, cleared and opened as a light hiking trail in Prcanj and included into the comprehensive map of cultural trails of Montenegro. The Valley of St. Anna as cultural landscape of immense importance is going to be protected under the new urban study of Kotor municipality. New solar boats have already been introduced as sustainable water transport in Bay of Kotor, while the cruise ships as the example of unsustainable water transport was posponed during 2020. and the first half od 2021. due to the Covid 19 crisis. The positive steps towards raising awareness for protection of the cultural landscape in the Bay of Kotor are being made. To read more, click on the link below. THIS MSC THESIS RESEARCH IN SUSTAINABLE ARCHITECTURE AND LANDSCAPE DESIGN COURSE AT POLITECNICO DI MILANO, TITLED: ,,The forgotten cultural landscape of Bay of Kotor. Valorisation of medieval path and ruins in Prcanj’’ IS INTELLECTUAL PROPERTY OF THE AUTHOR, BOGDAN KUSEVIC, GRADUATE ARCHITECT, AND COMPLIES WITH ANY LAWS ON INTELLECTUAL WORK THAT ARE FORESEEN AND RECOGNISED BY THE LAW IN FORCE. ARTICLES 1 - 5 OF ACT 633/1941 AND AMENDMENTS. BY CLICKING ON THE LINKS BELOW YOU AGREE TO THE ABOVE MENTIONED LAW ON INTELLECTUAL WORK AND AGREE TO THE GENERAL TERMS OF USE AND PRIVACY POLICY OF THE WEBSITE: ,, THE ARCHIVE OF LANDSCAPES'' Master thesis booklet (2018) by Kusevic, B. click above to open the booklet

The sloped terraces of agricultural estates, made of stone walls and planted with olive trees,and the oak forests sprinkled over a channelled stream of enclosed dry stonewalls, are features of the cultural landscape of this region. The techniques of channelling the stream flows and the way of maintaining the land by... St. Anna Valley - P rcanj, Montenegro St. Anna Valley represents the last portion of the cultural landscape of the inner Kotor bay in Montenegro, which preserved its original horizontal and vertical structure, sprawling in full area from the sea to the hill. The Church of St. Anna dates back to the 14th century and the ruins of an old parish house,bare the oldest remains of any residences in Prcanj. The sloped terraces of agricultural estates, made of dry-stone walls and planted with olive trees, and the oak forests sprinkled over a channelled stream of enclosed dry-stone walls, are features of the cultural landscape of this region. The techniques of channelling the stream flows and the way of maintaining the land by the traditional character testify the past eras and give evidence of the native landscape management. The UNESCO commission has stated that this area should be placed under careful spatial management, after undergoing a study of the impact towards cultural heritage in each intervention, in order to preserve its outstanding universal value (OUV). St. Anna Valley in Prcanj, with its agricultural terraces, and St. Anna church and the ruins of Sbutega palace, should be placed at top level of protection as cultural landscape of great value for the municipality of Kotor. Unfortunately, due to the compromised urban planning and the lacking of regulation for preserving the cultural landscape in Montenegro and because of the pressure of foreign investments, it is likely that this authentic area in Prcanj might be soon devastated by building there a real estate settlement . At this occasion, as architect and resident of Prcanj, I appeal to the State bodies in charge that this particular portion of the cultural landscape should be maintained and better understood, in order to preserve its inherited and unique features. HOW TO CITE THIS ARTICLE: Kusevic, B. (2017). Valley of St. Anna - Prcanj . ‘‘The Archive of Landscapes”. [date]. BIBLIOGRAPHY . BACKGROUND PHOTO. David Rumsey Historical Map Collection | The Collection; (1693) Disegno Topografico del Canale di Cattaro, Montenegro; Coronelli, Vincenzo (1650-1718).

Stone plastics, heraldic, authentic door and windows from the town of Prcanj photostory 2007-2017 History in stone cover photo: Unique example of descriptive geometry in real size scale on facade of Our Lady's Temple in Prcanj,Montenegro Stone plastics, family heraldry, doors and balustrades, these are all photographed in the town of Prcanj, Montenegro during the period 2008-2018. Next

The area of the medieval path represents one of the few coastal areas in the interior of the Bay of Kotor, where the cultural landscape has not been attacked yet by commercial construction and where there is continuity from the sea Glavati to the top of the mountain (Spille River Canyon). The pathway is a proof of Prcanj’s historical development, of the time when the settlement was located on the upper levels of the Vrmac hill, resting on agriculture 2007-2017 Medieval pathway of Prcanj cover photo: Steps of medieval pathway above Prcanj Landscape sound of summer morning in Forest Lekovina, Prcanj, Montenegro - recorded by Bogdan Kusevic. August 2009. 00:00 / 00:00 The area of the medieval path represents one of the few coastal areas in the interior of the Bay of Kotor, where the cultural landscape has not been attacked yet by commercial construction and where there is continuity from the sea Glavati to the top of the mountain (Spille River Canyon). The pathway is a proof of Prcanj’s historical development, of the time when the settlement was located on the upper levels of the Vrmac hill, resting on agriculture. A special way of treating the soil, preserving fertile humus layers, was achieved by the dry-stone wall techniques on terraced levels along Vrmac slopes. Moving from the sea to the hill, ancient varieties of Mediterranean fruit, such as citrus, grapes, olives, figs, are still present. These authentic sloped terraces of autochthonous agricultural varieties are still preserved below the area of the upper medieval path connecting the Church of St. Anna with the church of St. Peter on the way to the Old Parish church toward Spilla river. There are also centuries old oaks and pine forests in the zones between the agricultural estates, which are also planted as old villagers can tell. READ MORE on heritage article ''Medieval pathway of Prcanj" Next

Na stotinjak metara daleko od mora i pedesetak metara nadmorske visine u zatonu poznatom kao Pecarevo ili Glavati, u naselju Prcanj u Crnoj Gori, nalazi se gradjevina danas u rusevinama koja je bila rezidencija po svemu sudeci neke plemicke porodice. Malo se zna o ovoj palati, usljed nedostatka arhivske gradje a... Rusevine palate Sbutega - Glavati. Prcanj istorijska i arhitektonska analiza Na stotinjak metara od mora i na pedesetak metara nadmorske visine, u uvali poznatoj kao Pecarevo ili Glavati, u naselju Prčanj u Crnoj Gori, nalazi se građevina danas u ruševinama, koja je po svemu sudeći bila rezidencija neke plemićke porodice. Zbog nedostatka arhivske građe i neposjedovanja ikakvog uklesanog simbola, grba ili natpisa na fasadi, o ovoj palati se malo zna. Međutim, po tehnikama gradnje, dispoziciji i arhitektonskoj koncepciji kao i materijalima i tehnikama obrade, može se zaključiti da potiče iz XIV vijeka. Rezidencija se nalazi nedaleko od Crkve Sv. Ane u području Glavati – Prčanj, za koju se smatra da datira iz istog perioda. U XIV vijeku je ovim područjem vladala dinastija Nemanjića, potom Ugarska kraljevina a kasnije i bosanski kralj Tvrtko I. U tom se periodu naselja uz more, sem utvrđenih gradova poput Kotora, još nijesu bila razvila i egzistirala su na višim kotama u brdu kao seoske naseobine koje su se oslanjale na lokalnu poljoprivredu. Veoma česti upadi pirata, a potom i napadi Turaka ali i plemena iz unutrašnjosti, bila su dovoljno učestala da se karakter rezidencijalne arhitekture u zaleđu morao podrediti odbrani od upada pljackaša. Palata tj. današnje ruševine snimljene na terenu februara 2018. godine, sastoje se od 4 zida glavnog korpusa palate i jednog aneksa sa gornje zapadne strade, po svemu sudeći bivše štale. Prednje pročelje zida ka Kotoru na sredini je provaljeno do tla, a zadržalo je samo nišu sa donje desne strane, do nekadašnjih vrata. Sa suprotne strane, uočava se romano-gotski jednostavan luk bez profilacije od nejednako postavljenih kamenih pragova, te niša neposredno do vrata i dva prozorska okna od kojih je veće veoma oštećeno. Romano-gotski portal nad ulaznim vratima, iako oštećen pruža najvjerodostojniju potvrdu o karakteru palate i njenoj dataciji. Vrata su bila izrađena od punog drveta a zaklavana sa po 4 klina u kamenom parapetu, čija su udubljenja u kamenu i danas vidljiva. Povrh toga, postojala je i velika greda koja je služila za barakidiranje i koja se umetala po sredini vrata, naliježući tako u udubljenje u zidu kako bi dodatno osigurala portal od upada pljackaša. Male niše pored vrata bile su korišćenekako bi se na što jednostavniji način, a bez otvaranja glavnog ulaza, primile namirnice od prodavaca, kao sto je suvo meso i riba, a da se pritom domaćini ne izlažu riziku da budu opljačkani ili napadnuti. Druga mala niša spolja je najvjerovatnije u kasnijem periodu zazidana. Krov je bio jednovodni i nagnut prema moru, što je danas velika rijetkost na ovom području gdje su svi krovovi dvovodni. Sudeći po krovnom pokrivaču obližnje Crkve Sv. Ane, koji je bio od kamena, kao i na osnovu i drugih veoma starih rezidencijalnih objekata, može se zaključiti da je i krov palate u prvobitnoj fazi bio od kamenih ploča i to autohtonog kamena. Na osnovu analize sa lokacije od februara 2018, zapažene su dvije etape gradnje objekta palate Sbutega. Prva bi uključivala veliko i visoko prizemlje te nisko potkrovlje koje je sa donje morske strane imalo tri prozorska okna, po svoj prilici za osmatranje i odbranu od potencijalnih pljačkaša. U prizemlju, ka moru, 2 prozorska okna od kojih je jedno bilo veće, približnih dimenzija 100/80 cm, i drugo, dimenzijaod oko 40/40 cm. Na pročelju ka Kotoru, bila su prema dispoziciji ulazna vrata sa portalom, poput onih na suprotnoj strani palate. Oboje vrata bila su simetrično postavljena, moguće poštujući vjerovanje da, đavo ukoliko bi ušao u kuću, na istom pravolinijskom potezu bi i izašao te ukućani ne bi bili ugroženi, dok se mala odstupanja od pravog ugla prilikom zidanja zidova, mogu tumačiti predanjem - uvijek se izbjegavalo zidati u ‘skveru’ jer u ‘skveru’ čuči đavo. Tavanice tog perioda bile su drvene, oslonjene na kamene konzole zaobljene sa donje strane u obliku akantusovog cvijeta. Na potkrovlju je bilo po 2 prozora ka strani od Kotora i 2 ka Prčanju, od kojih je jedan većih dimenzija. Izlaz u dvorište je riješen ostavljanjem uskih vrata ka brdu koja su danas zazidana, služila su kao izlaz u pomoćni objekat, najvjerovatnije štalu. Druga faza gradnje, donijela je radikalne promjene u enterijeru. Naime, visoko prizemlje se podijelilo na dvije etaže kako bi se dobilo na proširenju smještajnog kapaciteta zbog uvećanja porodice a na uštrb zaziđivanja tri prozora i gornjih vrata ka brdu na kojima su postavljene kamene konzole za pridržavanje greda. Promjene su vidljive i na romano-gotskom portalu, jer je i on sve do luka morao biti zazidan kako bi se tavanice spuštile niže, što je i danas vidljivo. U drugoj fazi razvoja palate, tavanice su postale veoma niske, ostavljajući oko 200 cm slobodnog prostora do greda. Obrada kamenih prozora bez posebnih parapetnih otvora na svim oknima, te vrlo oskudnim i nadomještenim na otvorima većih dimenzija, sugeriše o etapnom, sukcesivnom razvoju palate i čestim prepravkama. Palata u svojoj bazi posjeduje dimenzije 9.5 sa 6 m, što je veoma veliko za prosječnu veličinu kuće ovog podneblja, te upućuje na veoma dobro imovno stanje vlasnika-graditelja. Na području se nalazi Crkva Sv. Ane, koja sudeći po analogijama, potiče iz istog perioda i stoga se može ustvrditi da je bila porodična kapela. Lokacija Glavati je od velike važnosti za ukupno područje Prčanja, kako zbog svoje istorijske tako i prirodne i ambijentalne vrijednosti. Dolina Svete Ane je predio sa svim odlikama kulturnog pejzaža. Suvomeđe koje se stepenasto pružaju pored imanja Sbutega, a na čijim se terasama i danas nalaze maslinjaci, zatim stara srednjevjekovna staza preko Prčanja koja je nekada povezivala Prčanj sa Kotorom, Stolivom i Lepetanima, pravi je izvor za proučavanje načina života u prošlosti. Prisustvo nekoliko slojeva arhitekture - romano-gotičke u brdu a renesansno-barokne pri obali, te austrougarskog putnog graditeljstva u priobalju, kao i autohtonog načina obrade pejzaža sa kanalisanim potocima i terasastim vrtovima, predstavlja izvanredan argument za valorizaciju ove uvale kao kulturnog pejzaža od velike važnosti za Uneskovo Prirodno i kulturno-istorijsko područje Kotora. Aktiviranje ove palate za kulturne potrebe, i po mišljenu stanovnika valorizovanje u svrhu ljetnjeg kampa studenata arhitekture koji će raditi na regeneraciji pejzaža i održavanju srednjevjekovnih staza i monumenata, a uz to dobiti sertifikat o autentičnoj gradnji Boke Kotorske pod mentorstvom restauratora, bilo bi od velikog značaja za čitavo područje Kotora. Najzad, pružilo bi i uvid u velike potencijale održivog razvoja, a sve na uzajamnu korist kako učesnika radionice tako i vlasnika imanja, kojima bi se, pored usluge besplatnog održavanja imanja isplaćivala i naknada za korisćenje od strane studenata – polaznika arhitektonske radionice. Tako bi čitavo ovo područje dobilo veću prepoznatljivost i važnost i postalo uzorni model za pristup regeneraciji kulturnog pejzaža ukupnog područja Kotora. Nažalost, gradnja na ovom području, koja je počela infrastrukturnim radovima, uništila je do sada već čitav dio vrtova sa terasama i ozidanim potokom, i prijeti da devalvira ukupno područje koje je jedna zatvorena i unikatna enklava kulturnog pejzaža koji se prostire u punoj širini od mora pa sve do brda. Dolina Svete Ane – Glavati je neizmjerno vrijedno područje koje svjedoči o istorijskom razvoju seoskih aglomeracija uz more Boke Kotorske. Zbog vrijednog autentičnog pejzaža, kao i istorijske, pejzažne i prirodne vrijednosti, neodložno se mora pristupiti uticaju na kulturnu Baštinu pri aktuelnim prostornim intervencijama, izradom HIA studije, kako bi joj se sačuvala izuzetna univerzalna vrijednost, koju kao cjelina posjeduje u sklopu Područja Kotora koje je pod Uneskovom zaštitom. KAKO DA CITIRATE OVAJ CLANAK Kusevic, B. (2018). Rusevine palate Sbutega - Glavati-Prcanj. istorijska i arhitektonska analiza . ‘‘The Archive of Landscapes” [datum]. POZADINSKA KARTA David Rumsey Historical Map Collection | The Collection; (1693) Disegno Topografico del Canale di Cattaro, Montenegro; Coronelli, Vincenzo (1650-1718).

The aim of the public survey project, Prcanj’s cultural heritage, targeting resident population of Prcanj, was to raise public awareness about the importance of cultural heritage in the everyday life of local population, as well as to point to some very crucial problems for the community PRCANJ’S CULTURAL HERITAGE social survey The aim of the public survey project, PRCANJ’S CULTURAL HERITAGE, held on my personal initiative from 27th November to 7th December 2017,over Google Forms platform, targeting resident population of Prcanj, was to raise public awareness about the importance of cultural heritage in the everyday life of local population, as well as to point to some very crucial problems for the community. The territory of Prcanj is part of UNESCO’s Natural and Culturo-historical Region of Kotor inscribed in the World heritage list since 1979. Nowadays, due to lack of regulations about the protection of the cultural landscape and the appalling development of the entire UNESCO’s area of Kotor, Prcanj is under a big threat of losing the integrity of its inherited cultural values. The public survey I held, as an architect and resident of Prcanj, addressed solely the local population: the respondents were 65, an amount which only covers 5.76% of Prcanj’s total population (1128 people, according to 2011 census). The people who responded to the anonymous questionnaire belong to diverse age groups; the majority ages between 25-34 years (26.2%) and are, in most cases, native residents with very different levels of formal education. Most of them (44.6%), however, have a university qualification. The focus of the survey was to recognize and express the residents’ opinion and vision about their everyday life in town, the site’s future development and its touristic destination. The residents’ thought was supposed to approve the general vision and suggestions of the UNESCO’s Commission and dedicated experts, who claim that the appalling development of the entire region is proving to have a devastating impact on the outstanding universal values of UNESCO Natural and Culturo-Historical Region of Kotor. Paper is original social survey report of Msc thesis in architecture at Politecnico di Milano at the course of Sustainable Architecture and landscape Design OPEN PAPER (original paper in English) OPEN PAPER (original paper in Montenegrin) BY CLICKING ON THE LINK ABOVE YOU AGREE TO THE GENERAL TERMS OF USE AND PRIVACY POLICY OF THE WEBSITE: ,, THE ARCHIVE OF LANDSCAPES''

Master thesis, which was defended at Politecnico di Milano in July 2018, investigates and defines the particularity of the cultural landscape of the Bay of Kotor and provides a model for its restoration by involving common citizens in decision making processes PRCANJ’S CULTURAL HERITAGE by Bogdan Kusevic social survey Paper is original social survey report of Msc thesis in architecture at Politecnico di Milano at the course of Sustainable Architecture and landscape Design Nov-Dec. 2017 Read More THESIS PRINTED BOOKLET by Bogdan Kusevic "The forgotten cultural landscape of Bay of Kotor. Valorisation of medieval path and ruins in Prcanj." Politecnico di Milano July 2018 Read More THESIS ABSTRACT (ENG-IT) by Bogdan Kusevic "The forgotten cultural landscape of Bay of Kotor. Valorisation of medieval path and ruins in Prcanj." Politecnico di Milano July 2018 Read More POLITECNICO DI MILANO POLITesi - Digital archive of PhD and post graduate theses Sustainable architecture and landscape design master thesis by Bogdan Kusevic July 2018 Read More

Palace of Three Sisters is the best-preserved example of Gothic profane architecture outside the urban historical cities in the Montenegro. It is situated in the town of Prcanj in Montenegro, along a coast of Bay of Kotor About the palace of ,,Tre Sorelle'' Prcanj, Bay of Kotor, Montenegro The Palace of the Three Sisters is the best-preserved example of Gothic profane architecture outside the urban historical cities in Montenegro. It is situated in the town of Prcanj in Montenegro, on the waterfront of the Bay of Kotor. At the time when the palace was built, Prcanj was a very attractive place where wealthy noble families from Kotor resided. It is not clear when exactly it was built due to the lack of archival material, but it is sure that it existed here in 1500s when it was mentioned in the archive in Kotor as Villa Trium Sororum. Historians date the palace to the beginning of the 15th century. In 1688, the entire area was already known as Le Tre Sorelle at the map of Disegno Topografico del Canale di Cattaro, Montenegro; Coronelli, Vincenzo (1650-1718). Its architectonic concept is quite unique. However, the attractive architectural design of the palace has been questioned by the researchers arguing that its present shape could not be the original one. This conclusion is based on non-identical styles of building techniques and the fact that the middle section is slightly inclined, suggesting that the concept of the palace has drastically changed over time. The palace is divided into three sections like a castle with towers which have three roofs and three windows on every level. The Gothic vaults and Gothic windows with the emblem of the noble family “Buca” from Kotor, the existence of a family chapel of St. Jeronimo on its right side and the unique architectonic concept has placed this palace on the top level of national protection. In spite of this, nothing has been done so far for improvement of management and protection of this palace and today it is standing without windows and is left on the ravages of time. The palace is a private property, and a housing purpose is assigned to it in its management plan, which has been done completely unjustly, disregarding its historical value and the connection it has had in the collective memory of the indigenous population over the past 500 years. During the last decade, it has been subjected to non-professional restoration. In the course of this process, one of the sealed window was opened, which resulted in ruining the gothic plastics and spoiling the relation of the local people to the Story of Three Sisters and the windows that were sealed up when they passed away. HOW TO CITE THIS ARTICLE: Kusevic, B. (2017). About the palace of "Tre Sorelle" from Prcanj . ‘‘The Archive of Landscapes”. [date]. BACKGROUND PHOTO David Rumsey Historical Map Collection | The Collection; (1693) Disegno Topografico del Canale di Cattaro, Montenegro; Coronelli, Vincenzo (1650-1718). Story of "Three Sisters"

Lukovic Street was the core of the public life of the 16th and 17th century. It is named after the Lukovic family houses, which have exceptionally elegantly decorated stone balustrades; the palaces follows the sea line, merging into the street front, and making a unique and indivisible ambient unit in a functional and aesthetic domain. Opposed to the houses towards the sea, so-called ‘ponta’ were made over the time 2007-2017 Lukovic Street - Prcanj,Montenegro cover photo: Lukovic Street, Prcanj Lukovic Street was the core of the public life of the 16th and 17th century. It is named after the Lukovic family houses, which have exceptionally elegantly decorated stone balustrades; the palaces follows the sea line, merging into the street front, and making a unique and indivisible ambient unit in a functional and aesthetic domain. Opposed to the houses towards the sea, so-called ‘ponta’ were made over the time, for accessing sailboats with a plateau on which cargoes from ships were landed, as well as small ports for binding family boats. The coastal belt was an indivisible private space and made up a whole with the palaces. In the later period, around 1805, when this region was already under the Austro-Hungarian empire, the emperor had the first coastal road built along the sea for military needs, thus completely interrupting the continuity of family gardens from the sea to the houses. This act changed forever the character of space, dividing it into two parts, one made up of family ports for boats with berths along the sea, and another made up of a paved street of the Lukovic family. The seafront, including ponta and boat bindings, were private properties in the 19th century, characterized by traditional stone bindings, stone paving and stone sea-shores, with small gardens rich in Mediterranean vegetation. READ MORE on heritage article ''Street of Lukovic family" Next

Perast was at its peak in the 18th century under the Venetian Republic, when it had as many as four active shipyards, a fleet of around one hundred ships, and 1,643 residents. The 1,500 citizens of Perast were allowed to trade with large ships and to sell goods without tax on the Venetian market, which made them wealthy 2007-2017 Perast (ita. Perasto) cover photo: Perast, the town of sea captains Perast was at its peak in the 18th century under the Venetian Republic, when it had as many as four active shipyards, a fleet of around one hundred ships, and 1,643 residents. The 1,500 citizens of Perast were allowed to trade with large ships and to sell goods without tax on the Venetian market, which made them wealthy. The example of the wealth of people from Perast at the end of the 18th century is the fact that they managed to collect 50,000 Venetian gold coins (about 200 kg of gold) to pay the famous Venetian constructor Giuseppe Beati to build for them the highest campanile (55 m) on the East-Adriatic coast. There are two small islands near Perast: St George Island with the small church from the 12th century and the artificial island called Gospa od Skrpjela (in Venetian: Madonna dello Scarpello) which has a very interesting story. Namely, the locals had been throwing rocks and sinking old shipwrecks for 200 years from the reef whose top was 1 meter above the water's surface, thus creating a plateau of 3,030 square meters, on which they then built a church. Next